- Mechanical clock 3d lite mac how to#
- Mechanical clock 3d lite mac drivers#
- Mechanical clock 3d lite mac driver#
- Mechanical clock 3d lite mac manual#
As you'd expect, each mixer channel has a switch for routing to either side of the crossfader, or directly to the mix, and Cue buttons for splitting to the headphone out. The six outputs from the computer (when in use) are also available as RCA line outs on the back panel. Channel 4 also takes outputs 1&2, presumably to give you flexibility if you need to switch between both the line inputs available on channel 1. The routing of the soundcard outputs to mixer channels is fixed, so channel 1 takes outputs 1&2 from the computer, channel 2 takes outputs 3&4, and so on. The other switch selects the signal from the computer, overriding the analogue inputs. The first selects between phono and line inputs, except for channel 1 which has two line inputs and no phono. Each of the four channels has two source switches. The 3D's mixer section is a slight variation on the Xone 92 mixer, but with more inputs available. There is no configuration software for the Mac yet, although it is in development. The Windows XP configuration utility lets you switch the soundcard side of the 3D between two routing options: four-in/four-out, or two-in/six-out. Clearly there's some room for improvement here, and A&H are working on more documentation.
Mechanical clock 3d lite mac manual#
Unfortunately, I had to figure this out by trial and error, as there's no mention of the Mac in the manual at all.
Mechanical clock 3d lite mac drivers#
The Mac installer just has the option of installing Live Lite, as the device is class compliant, meaning that no OS X drivers are necessary.
Mechanical clock 3d lite mac driver#
There is a CD, which installs the PC configuration and driver software, and Ableton Live Lite Xone 3D Edition. As I was testing on a Mac, I was in the dark.
Mechanical clock 3d lite mac how to#
Obviously, removing fader caps is not something you'd want to do in the middle of a gig, but you're unlikely to want to swap your setup around mid-set.Īlthough the manual has plenty of information about the sound mixer, there is very little help on how to get started, except for some PC installation instructions. This makes them very secure, and they feel like part of the panel, unlike many overlays on other controllers. They're printed on sturdy plastic, and you have to remove all the fader caps to swap them over. Normally, this would involve a separate audio interface, MIDI controller and all the interconnecting cables, but with the Xone 3D, all that's required is a USB cable to connect mixer to laptop.ĭelving into the 3D's box I discovered a collection of spare knobs, buttons and fader caps, some solid steel rack ears and two sets of control overlay sheets - one for Live (shown here) and one for Traktor. The idea is that you can have hands-on control of software (in particular Ableton Live and NI Traktor DJ Studio), feed audio sources from the computer to the audio mixer (and vice versa) and combine these with other sources such as CD players and turntables. The Xone 3D is a fusion of three separate elements: a standard analogue DJ mixer, a MIDI control surface and an audio interface. Now A&H have designed a mixer directly aimed at DJs who incorporate laptops in their shows. The Xone 62 and 92 mixers are a common sight in clubs, and Native Instruments even modelled the mixer in Traktor DJ Studio 3 on them. In the last few years, British mixer manufacturers Allen & Heath have earned a great deal of respect in the DJ world with their Xone mixer range. Is an all-in-one mixer, MIDI controller and audio interface the perfect solution for digital DJs and live laptop artists?
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